ALTERNATIVE FABRIC APPLICATION IN STAGE DESING

STRUCTURED ABSTRACT

It is synonymouswiththestagecurtain. Whenthecurtain is opened, a newworldwill be seenbytheaudience. Thefunction of thecurtain is that it serves as thefourthwallthat is opentotheviewer. Whenthescreenopenstheaudiencebeforethegame; encountersimpressivestagedesign. Sitting in theviewer’sseat, shewillfindherself in completelydifferentworldsandshewill be fascinatedbytheatmosphere of design. This is thefirst step in directcontactwiththeaudience. Stagedesignerdevelopsandtransformsmaterial.

Forthisreason, stagedesign has a greateffect on thethought. Thatthiseffect is accurateandappropriaterequirescareful, detailedwork. Everydataandmaterialobtainedmust be of a naturetosupportthe idea. Itshould be aimedtocreateartisticproductionaround a commongoalandturn it into a commonnarrative.

Furtherdiscussion of thematerialused in stagedesign is a beginning. Art of fabric; therelationshipbetweenmanandobject; one-to-onematerial. Since it is an artisticprocess, it is a visualandaudibleinfrastructure in everyartisticfieldandoffers an applicationtointerdisciplinarystudies. Theimportance of thisstage is quitewide. Thefabric is one of themostimportantstagematerial in thetheaterand is indispensablefortheconcertstagesduetoitslightness. Infabricstaging; It is selectedtocreatemeaningandfunctionsappropriatetothepurposeof thepresentation. Forexample, in theshadowtheater; Thelightcharacter is giventosomekind of fabricbehind it andthegapsbecomeclear. Allflashes on theback of thescenecausetheperformanceto be reflected on thescreen. Thebestexample of this is theshadow of Karagöz and Hacivat in ourtraditionaltheater. Thefrontside of thefabric is dark, this is thenavigationalpart of theaudience. Inthisscene, thefabricwasused in a specialstyleandprojectionwasreflected in theshadows. Type of fabric; It is selectedaccordingtoitssuitabilityforotherusesanditssuitabilitytootherdevices. Inthefield of fabricuse, curtains can also be used as dimmingoracoustically in lightgamesandtherearealsonoisereducingfabrics. Limitsthescenesto be hidden in theimage. Thefabric is subjectedtovariousprocessestocreatesimilaritytothematerialto be transformed, therebyextendingtherepresentation limit on thestage. Apart fromtheoriginaluse of thefabric, it is alsopossibleto re-interprettheoriginalnewproduct. Lowprice, ease of application, compliancewithhealthstandards, movethetissuetothebeginning of convertedproducts. Inaddition, allcomponentsincludeportions of thestagedesign; Itneedsto be placed in accordancewiththeconcept. Theplayerloses his physicalcharacteristics in newaestheticformswith his costumesandreinforcesitseffectswithspatialdesign. This is a waytochannelimagesandcreatenewcharacters. Thisleadsto an aestheticshapethatwillaffecttheaudiencemorethantheeffect of the normal player. Thus, theeffect on allaudiovisualelementsarises. Totheviewer in thestagecavity; presents ever-changing, overlappingimages. There is muchexperience in previousstudies on whatyouwantto do withthefabric. Therefore, it is inevitableto be involved in a creativeprocess. High efficiencyandlowcostmake it possibletocreateextraordinaryandfascinatingstagedetails. Fabricswithversatility can respondtonoise, lightandmanyotherrequirements. Furthermore, technologicalandcompositefabricsfocus on thesceneratherthanthenecessity of everyday life.

Keywords: Stage Design, AlternativeFabric, Demonstration

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